97. I KNEW A WOMAN - Theodore Roethke

.
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I'd have them sing in chorus, cheek to cheek).

How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and Stand;
She taught me Touch, and undulant white skin;
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing we did make).

Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved).

Let seed be grass, and grass turn into hay:
I'm martyr to a motion not my own;
What's freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways).

96. Nude Descending A Starcase - X. J. Kennedy

Toe upon toe, a snowing flesh,
A gold of lemon, root and rind,
She sifts in sunlight down the stairs
With nothing on. Nor on her mind.

We spy beneath the banister
A constant thresh of thigh on thigh––
Her lips imprint the swinging air
That parts to let her parts go by.

One-women waterfall, she wears
Her slow descent like a long cape
And pausing, on the the final stair
Collects her motions into shape.

95. AFTERWARD - Adrienne Rich

.
Now that your hopes are shamed, you stand
At last believing and resigned,
And none of us who touch your hand
Know how to give you back in kind
The words you flung when hopes were proud:
Being born to happiness
Above the asking of the crowd,
You would not take a finger less.
We who know limits now give room
To one who grows to fit her doom

94. I AM ASKING YOU TO COME BACK HOME - Jo Carson

.
I am asking you to come back home
before you lose the chance of seein' me alive.
You already missed your daddy.
You missed you uncle Howard.
You missed Luciel.
I kept them and I buried them.
You showed up for the funerals.
Funerals are the easy part.

You even missed that dog you left.
I dug him a hole and put him in it.
It was a Sunday morning, but dead animals
don't wait no better than dead people.

My mamma used to say she could feel herself
runnin' short of the breath of life. So can I.
And I am blessed tired of buryin' things I love.
Somebody else can do that job to me.
You'll be back here then; you come for funerals.

I'd rather you come back now and got my stories.
I've got whole lives of stories that belong to to you.
I could fill you up with stories,
stories I ain't told nobody yet,
stories with your name, your blood in them.
Ain't nobody gonna hear them if you don't
and you ain't gonna hear them unless you get back home.

When I am dead, it will not matter
how hard you press your ear to the ground.

93. THE ROLLING ENGLISH ROAD - G. K Chesterton

.
Before the Roman came to Rye or out to Severn strode,
The rolling English drunkard made the rolling English road.
A reeling road, a rolling road, that rambles round the shire,
And after him the parson ran, the sexton and the squire;
A marry road, a mazy road, and such as we did tread
The night we went to Birmingham by way of Beachy Head.

I knew no harm of Bonaparte and plenty of the Squire,
And for to fight the Frenchman I did not much desire;
But I did bash their baggonets because they came arrayed
To straighten out the crooked road an English drunkard
made,
Where you and I went down the lane with ale-mugs in our
hands,
The night we went to Glastonbury by way of Goodwin
Sands.

His sins they were forgiven him; or why do flowers run
Behind him, and the hedges all strengthening in the sun?
The wild thing went from left to right and knew not which
was which,
But the wild rose was above him when they found him in the
ditch.
God pardon us, nor harden us; we did not see so clear
The night we went to Bannockburn by way of Brighton
Pier.

My friends, we will not go again or ape an ancient rage,
Or stretch the folly of our youth to be the shame of age,
But walk with clearer eyes and ears this path that wandereth,
And see undrugged in evening light the decent inn of death;
For there is good news yet to hear and fine things to be seen,
Before we go to Paradise by way of Kensal Green.

92. DEAR READER - Billy Collins

.
Baudelaire considers you his brother,
and Fielding calls out to you every few paragraphs
as if to make sure you have not closed the book,
and now I am summoning you up again,
attentive ghost, dark silent figure standing
in the doorway of these words.

Pope welcomes you into the glow of his study,
takes down a leather-bound Ovid to show you.
Tennyson lifts the latch to a moated garden,
and with Yeats you lean against a broken pear tree,
the day hooded by low clouds.

But now you are here with me,
composed in the open field of this page,
no room or manicured garden to enclose us,
no Zeitgeist marching in the background,
no heavy ethos thrown over us like a cloak.

Instead, our meeting is so brief and accidental,
unnoticed by the monocled eye of History,
you could be the man I held the door for
this morning at the bank or post office
or the one who wrapped my speckled fish.
You could be someone I passed on the street
or the face behind the wheel of an oncoming car.

The sunlight flashes off your windshield,
and when I look up into the small, posted mirror,
I watch you diminish—my echo, my twin—
and vanish around a curve in this whip
of a road we can't help traveling together.

91. BEDTIME - Denise Levertov

We are a meadow where the bees hum,
mind and body are almost one

as the fire snaps in the stove
and our eyes close,

and mouth to mouth, the covers
pulled over our shoulders,

we drowse as horses drowse afield,
in accord; though the fall cold

surrounds our warm bed, and though
by day we are singular and often lonely.

90. EMILY DICKINSON'S SESTINA FOR MOLLY BLOOM - Barbara Lefcowitz

.
At times I almost believed it: madness
the only way to say yes,
to stumble into shapes of night
the gape open
like abandoned wells––
This would work like no other

disguise––yet I chose another
route, neither mad
nor well
enough to shout yes!
when morning scissor-blades opened
my sack of night

full of valentines to death––Night
whose curve of darkness I preferred to other
hours' slanting light that would open
all my closed lives––not the madly
flowered darkness that would make you say yes!
but—–I might as well

admit it—the well-
sealed kind of night
where I could nod yes
to another
sputter of benign madness
from the loaded gun of an open

wound whose red opening
was never stanched well
enough; if only I hadn’t feared the mad
shudder-burst & bloom demanded by you night
I would have become another
woman, spread open like a figtree in my father’s
northern garden, Yes

or––yes!
a house with its shutters open
to another
throng of lovers climbing my well-
flowered hair night after night,
all Amherst going mad,

its quartz contentment split open by the pulsing night––
Molly, as well become you as another—–
Yes, and my heart going like mad and saying yes
I will yes!

89. How Many Nights - Galway Kinnell

.
How many nights
have I lain in terror,
O Creator Spirit, Maker of night and day,

only to walk out
the next morning over the frozen world
hearing under the creaking of snow
faint, peaceful breaths . . .
snake,
bear, earthworm, ant . . .

and above me a wild crow crying 'yaw yaw yaw'
from a branch nothing cried from ever in my life.

88. A QUIET JOY – Yehuda Amichai

.
I’m standing in a place where I once loved.
The rain is falling. The rain is my home.

I think words of longing: a landscape
out to the very edge of what’s possible.

I remember you waving your hand
as if wiping mist from the windowpane,

and your face, as if enlarged
from an old blurred photo.

Once I committed a terrible wrong
to myself and others.

But the world is beautifully made for doing good
and for resting, like a park bench.

And late in life I discovered
a quiet joy
like a serious disease that’s discovered too late:

just a little time left now for quiet joy.

87. SPELL OF CREATION - Kathleen Raine

.
Within the flower there lies a seed,
Within the seed there springs a tree,
Within the tree there spreads a wood.

In the wood there burns a fire,
And in the fire there melts a stone,
Within the stone a ring of iron.

Within the ring there lies an O
Within the O there looks an eye,
In the eye there swims a sea,

And in the sea reflected sky,
And in the sky there shines the sun,
Within the sun a bird of gold.

Within the bird there beats a heart,
And from the heart there flows a song,
And in the song there sings a word.

In the word there speaks a world,
A word of joy, a world of grief,
From joy and grief there springs my love.

Oh love, my love, there springs a world,
And on the world there shines a sun
And in the sun there burns a fire,

Within the fire consumes my heart
And in by heart there beats a bird,
And in the bird there wakes an eye,

Within the eye, earth, sea and sky,
Earth, sky and sea within O
Lie like the seed within the flower.

86.NOU GOTH SONNE UNDER WOOD - Anon.

Anonymous

NOU GOTH SONNE UNDER WOOD
(13th century quatrain)

Nou goth sonne under wod, -
me reweth, Marie, thi faire Rode.
Nou goth sonne under tre, -
me reweth, Marie, thi sone and the.

85. SAYINGS OF THE BLIND - William Stafford

.
Feeling is believing.

Mountains don't exist. But their slopes do.

Little people have low voices.

All things, even the rocks, make a little noise.

The silence back of all sound is called "the sky."

There's a big stranger in town called the sun.
He doesn't speak to us but puts out a hand.

Night opens a door into a cellar––
you can smell it coming.

On Sundays everyone stands farther apart.

Velvet feels black.

Meeting cement is never easy.

What do they mean when they say night is gloomy?

Edison didn't invent much.

Names have a flavor.

84. Excerpt from THE INTERLUDE - Karl Shapiro

.
What lives? the proper creatures in their homes?
A weed? the white and giddy butterfly?
Bacteria? necklaces of chromosomes?

What lives? the breathing bell of the clear sky?
The crazed bull of the sea? Andean crags?
Armies that plunge into themselves to die?

People? A sacred relic wrapped in rags,
The ham-bone of a saint, the winter rose,
Do these?—And is there not a hand that drags

The bottom of the universe for those
Who still perhaps are breathing? Listen well,
There lives a quiet like a cathedral close

At the soul’s center where substance cannot dwell
And life flowers like music from a bell.

83. CLASS PICTURE, 1984 - Billy Collins

.
I am the third one
from the left in the third row.

The girl I have been in love with
since the 5th grade is just behind me
to the right, the one with the bangs.

The boy who pushes me down
in the playground
is the last one on the left in the top row.

And my friend Paul is the second one
in the second row, the one
with his collar sticking out, next to the teacher.

But that's not all––
if you look carefully you can see
our house in the background

with its porch and its brick chimney
and up in the clouds
you can see the faces of my parents,

and over there, off to the side,
Superman is balancing
a green car over his head with one hand.

82. POEM ABOUT MORNING - William Meredith

.
Whether it's sunny or not, it's sure
To be enormously complex––
Trees or streets outdoors, indoors whoever you share,
And yourself, thirsty, hungry, washing.
An attitude towards sex.
No wonder half of you wants to stay
With your head dark and wishing
Rather than take it all on again:
Weren't you duped yesterday?
Things are not orderly here, no matter what they say.

But the clock goes off, if you have a dog
It wags, if you get up now you’ll be less
Late. Life is some kind of loathsome hag
Who is forever threatening to turn beautiful.
Now she gives you a quick toothpaste kiss
And puts a glass of cold cranberry juice,
Like a big fake garnet, in your hand.
Cranberry juice! You’re lucky, on the whole,
But there is a great deal about it you don’t understand.

81. When One Has Lived A Long Time Alone - Galway Kinnell

Galway Kinnell - When One Has Lived a Long Time Alone

1

When one has lived a long time alone
one refrains from swatting the fly
and lets him go, and one hesitates to strike
the mosquito, though more than willing go slap
the flesh under her, and one lifts the toad
from the pit too deep for him to hop out of
and carries him to the grass, without minding
the toxic urine he slicks his body with,
and one envelops, in a towel, the swift
who fell down the chimney and knocks herself
against the window glass and releases her outside
and watches her fly free, a life line flung at reality,
when one has lived a long time alone.


2

When one has lived a long time alone,
one grabs the snake behind the head
and holds him until he stops trying to stick
the orange tongue, which splits at the end
into two black filaments and jumps out
like a fire-eater's belches and has little
in common with the pimpled pink lump that shapes
sounds and sleeps inside the human mouth,
into one's flesh, and clamps it between his jaws,
letting the gaudy tips show, as children do
when concentrating, and as very likely
one down oneself, without knowing it,
when one has lived a long time alone.

3

When one has lived a long time alone,
among regrets so immense the past occupies
nearly all the room there is in consciousness,
one notices in the snake's eyes, which look back
without paying less attention to the future,
the first coating of the opaque milky-blue
leucoma snakes to get when about to throw
their skins and become new––meanwhile continuing,
of course, to grow old––the exact bleu passé
that discolors the corneas of the blue-eyed
when they lie back at last and look for heaven,
a blurring one can see means they will never find it,
when one has lived a long time alone.

4

When one has lived a long time alone,
one holds the snake near a loudspeaker disgorging
gorgeous sound and watches him crook
his forepart into four right angles
as though trying to slow down the music
flowing through him, in order to absorb it
the milk of paradise into the flesh,
and now a glimmering appears at his mouth,
such a drop of intense fluid as, among humans,
could form after long exiting at the tip
of the the penis, and as he straightens himself out
he has the pathos one finds in the penis,
when one has loved a long time alone.

5

When one has lived a long time alone,
one can fall to poring upon a creature,
contrasting its eternity's-face to one's own
full of hours, taking note of each difference,
exaggerating it, making it everything,
until the other is utterly other, and then,
with hard effort, possibly with tongue sticking out,
going back over each one once again
and cancelling it, seeing nothing now
but likeness, until . . . half an hour later
one starts awake, taken aback at how eagerly
one swoons into the happiness of kinship,
when one has lived a long time alone.

6

When one has lived a long time alone
and listens at morning to mourning doves
sound their kyrie eleison, or the small thing
spiritualizing onto one's shoulder cry "pewit-phoebe!"
or peabody-sparrows at midday send schoolboys'
whistlings across the field, or at dusk, undamped,
unforgiving clinks, as from stonemasons' chisels,
or on trees' backs tree frogs scratch the thighs'
needfire awake, or from the frog pond pond frogs
raise their ave verum corpus—listens to those
who hop or fly call down upon us the mercy
of other tongues—one hears them as inner voices,
when one has lived a long time alone.

7

When one has lived a long time alone,
one knows only consciousness consummates,
and as the conscious one among these others
uttering compulsory cries of being here—
the least flycatcher witching up "che-bec,"
or redheaded woodpecker clanging out his
music from a metal drainpipe, or ruffed grouse
drumming "thump thrump thrump thrump-thrump-
thrump-thrump-rup-rup-rup-rup-rup-r-r-r-r-r-r"
through the treees, all of them in time's
unfolding trying to cry themselves into self-knowing—
one knows one is here to hear them into shining,
when one has lived a long time alone.

8
When one has loved a long time alone,
one likes alike the pig, who brooks no deferment
of gratification, and the porcupine, or thorned pig,
who enters the cellar but not the house itself
because of eating down the cellar stairs on the way up,
and one likes the worm, who by bunching herself together
and expanding rubs her way through the ground,
no less than the butterfly, who totters full of worry
among the day-lilies, as they darken,
and more and more one finds one likes
any other species better than one's own,
which has gone amok, making one self-estranged,
when one has lived a long time alone.

9

When one has lived a long time alone,
sour, misanthropic, one fits to one's defiance
the satanic boast—It is better to reign
in hell than to submit on earth—
and forgets one's kind, as does the snake,
who has stopped trying to escape and moves
at ease across one's body, slumping into its contours,
adopting its temperature, and abandons hope
of the sweetness of friendship or love
—before long can barely remember what they are—
and covets the stillness in organic matter,
in a self-dissolution one may not know how to halt,
when one has lived a long time alone.

10

When one has loved a long time alone,
and the hermit thrush calls and there is an answer,
and the bullfrog, head half out of water, remembers
the exact sexual cantillations of his first spring,
and the snake slides over the threshold and disappears
among the stones, one sees they all live
to mate with their kind, and one knows,
after a long time of solitude, after the many steps taken
away from one's kind, toward the kingdom of strangers,
the hard prayer inside one's own singing
is to come back, if one can, to one's own,
a world almost lost, in the exile that deepens,
when one has lived a long time alone.

11

When one has lived a long time alone,
one wants to live again among men and women,
to return to that place where one's ties with the human
broke, where the disquiet of death and now
also of history glimmers its firelight on faces,
where the gaze of the new baby looks past the gaze
of the great-granny, and where lovers speak,
on lips blowsy from kissing, that language
the same in each mouth, and like birds at daybreak
blether the song that is both earth's and heaven's,
until the sun has risen, and they stand
in a light of being united: kingdom come,
when one has lived a long time alone.

80. September The First Day Of School - Howard Nemerov

I
My child and I hold hands on the way to school,
And when I leave him at the first-grade door
He cries a little but is brave, he does
Let Go. My selfish tears remind me how
I cried before that door a life ago
I may have had a hard time letting go.

Each fall the children must endure together
What every child also endures alone:
Learning the alphabet, the integers,
Three dozen bits and pieces of a stuff
So arbitrary, so peremptory,
That worlds invisible and visible

Bow down before it, as in Joseph's dream
The sheaves bowed down and then the stars bowed down
Before the dreaming of a little boy.
That dream got him such hatred of his brothers
As cost the greater part of life to mend,
And yet great kindness come of it in the end.

II
A school is where they grind the grain of thought,
And grind the children who must mind the thought.
It may be those two grindings are but one,
As from the alphabet come Shakespeare's plays,
As from the integers comes Euler's Law,
As from the whole, inseparably, the lives,

The shrunken lives that have not been set free
By law or by poetic phantasy.
But may they be. My child has disappeared
Behind the schoolroom door. And should I live
To see his coming forth, a life away,
I know my hope, but do not know its form

Nor hope to know it. May the fathers he finds
Among his teachers have a care of him
More than his father could. How that will look
I do not know, I do not need to know.
Even our tears belong to ritual.
But may great kindness come of it in the end.

79. SCRAMBLED EGGS AND WHISKEY - Hayden Carruth

.
Scrambled eggs and whiskey
in the false-dawn light. Chicago,
a sweet town, bleak, God knows,
but sweet. Sometimes. And
weren't we fine tonight?
When Hank set up that limping
treble roll behind me
my horn just growled and I
thought my heart would burst.
And Brad M. pressing with the
soft stick and Joe-Anne
singing low. Here we are now
in the White Tower, leaning
on one another, too tired
to go home. But don't say a word,
don't tell a soul, whey wouldn't
understand, they couldn't, never
in a million years, how fine,
how magnificent we were
in that old club tonight.

78. FREEDOM - William Stafford

.
Freedom is not following a river.
Freedom is following a river,
though, if you want to.
It is deciding now by what happens now.
It is knowing that luck makes a difference.

No leader is free; no follower is free––
the rest of us can often be free.
Most of the world are living by
creeds too odd, chancy, and habit-forming
to be worth arguing about by reason.

If you are oppressed, wake up about
four in the morning: most places,
you can usually be free some of the time
if you wake up before other people.