Did
you
ever
let
a it
poem would
go return
through in
the another
air season
like in
a another
swift life ?
beautiful
bird
not
asking
it
to
tell
you
a
word
knowing
Any publishers interested in this anthology? Poetry selections from Bookgleaner@gmail.com - - Also: http://Outwardboundideas.blogspot.com - http://Onwardboundhumor.blogspot.com - http://Homewardboundphotos.blogspot.com - And http://davidthemaker.blogspot.com/
Did
you
ever
let
a it
poem would
go return
through in
the another
air season
like in
a another
swift life ?
beautiful
bird
not
asking
it
to
tell
you
a
word
knowing
When I was sick and lay a-bed,
I had two pillows at my head,
And all my toys beside me lay
To keep me happy all the day,
And sometimes for an hour or so
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;
And sometimes sent my ships in fleets
All up and down among the sheets;
Or brought my trees and houses out,
And planted cites all about.
I was the giant of great and still
That sits upon the pillow-hill,
And sits before him, dale and plain,
The pleasant land of counterpane.
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliacnces lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers and their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the U N
the Seagram Building’s no longer rivaled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderfull
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
There was too much, always, then too little
Childhood: sickness.
By the side of the bed I had a little bell—
at the other end of the bell, my mother.
Sickness, gray rain. The dogs slept through it. They slept on the bed,
at the end of it, and it seemed to me they understood
about childhood: best to remain unconscious.
The rain made gray slats on the windows.
I sat with my book, the little bell beside me.
Without hearing a voice, I apprenticed myself to a voice.
Without seeing any sign of the spirit, I determined
to live in the spirit.
The rain faded in and out.
Month after month, in the space of a day
Things became dreams; dreams became things.
Then I was well; the bell went back to the cupboard.
The rain ended. The dogs stood at the door,
panting to go outside.
I was well, then I was an adult.
And time went on—it was like the rain,
to much, so much, as though it was a weight that couldn’t be moved.
I was a child, half sleeping.
I was sick: I was proected.
And I lived in the world of the spirit,
the world of the gray rain,
the lost, the remembered.
Then suddenly the sun was shining,
And time went on, even when there was almost none left.
And the perceived became the remembered,
the remembered, the perceived.
Nobody sees it happening, but the architecture of our time
Is becoming the architecture of the next time. And the dazzle
Of light upon the waters is as nothing beside the changes
Wrought therein, just as our waywardness means
Nothing against the steady purr of things over the edge.
Nobody can stop the flow, but nobody can start it either.
Time slips by; our sorrows do not turn into poems,
And what is invisible stays that way. Desire has fled,
Leaving only a trace of perfume in its wake,
and so many people we loved have gone,
And no voice comes from outer space, from the folds
Of dust and carpets of wind to tell us that this
Is the way it was meant to happen that if only we knew
How long the ruins would last we would never complain.
“…. Auden wrote a gravely beautiful poem…. Its title was: “New Year Letter,” and it was addressed to Elizabeth Mayer, a refugee from the depredations of Nazi Germany, a translator, and a close friend. Like many of his works, this poem is conversational in tone but contains within it a complex skein of ideas about humanity and history, about art, civilization, and violence. At the end of the letter, through, there occur lines that are among the most beautiful he wrote. Addressing his friend, he draws attention to what she brings to the world through her therapeutic calling:”
We fall down in the dance, we make
The old ridiculous mistake,
But always there are such as you
Forgiving, helping what we do.
O every day in sleep and labour
Our life and death are with our neighbor,
And love illuminates again
The city and the lion’s den.
The world’s great rage, the travail of young men.
Selected from: A Book Of Luminous Things, Edited by Czeslaw Milosz
Translated from the Chinese by Arthur Waley
There is no one among men that has not a special failing,
I have broken away from the thousand ties of life;
But this infirmity still remains behind.
Each time that I look at a fine landscape,
Each time that I meet a loved friend,
I raise my voice and recite a stanza of poetry
And marvel as though a God had crossed my path.
Ever since the day I was banished to Hsün-yang
Half my time I have lived among the hills.
And often when I have finished a new poem,
Alone I climb the road to the Eastern Rock.
I lean my body on the banks of white Stone;
I pull down with my hands a green cassia branch.
My mad singing startles the valleys and hills;
The apes and birds all come to peep.
Fearing to become a laughing-stock to the world,
I choose a place that is unfrequented by men.
There is no insurmountable solitude,
All paths lead to the same goal:
to convey to others what we are.
And we must pass through solitude and
difficulty, isolation and silence
to find that enchanted place
where we can dance our clumsy dance
and sing our sorrowful song.
But in that dance, and in
that song, the most ancient rites
of our conscience fulfill themselves
in the awareness of being human.
We shape our self
to fit this world
and by the world
are shaped again.
The visible
and the invisible
working together
in common cause,
to produce
the miraculous.
I am thinking of the way
the intangible air
traveled at speed
round a shaped wing
easily
holds our weight.
So may we, in this life
trust
to those elements
we have yet to see
or imagine,
and look for the true
shape of our own self,
by forming it well
to the great
intangibles about us.
Translated by Irving Y. Lo
A pot of wine among the flowers:
I drink alone, no kith or kin near.
I raise my cup to invite the moon to join me;
It and my shadow make a party of three.
Alas, the moon is unconcerned about drinking,
And my shadow merely follows me around.
Briefly I cavort with the moon and my shadow:
Pleasure must be sought while it is spring.
I sing and the moon goes back and forth,
I dance and my shadow falls at random.
While sober we seek pleasure in fellowship;
When drunk we go each our own way.
Then let us pledge a friendship without human ties
And meet again at the far end of the Milky Way
I met a Strange Woman
With things in her arms.
‘What have you got, Woman?
‘Charms,’ she said, ‘charms.’
‘I will put one on you
‘Ere I have done.
‘Which shall I put on you?’
’None ‘ I said, ’none!’
Oh, how she smiled at me.
’Nay, then, my dear,
Look, do but look at them.
What do you fear?’
‘I’ve a black charm for night
And a gold one for noon,
A white charm for winter,
A rose charm for June;’
‘I’ve a green charm for woods,
And a blue one for water,
And a silver for moons
When they’re in their first quarter.’
‘I’ve a slow charm for growth,
And a swift one for birds,
And a soft one for sleep,
And a sweet one for words.’
‘I’ve a long charm for love,
And a strong charm for youth,
And one you can’t change
Or destroy, for the truth.’
’Sorry’s the man my dear,
Sorry, she said,
‘Who wanders through life
With no charm on his head.’
O how she smiled at me.
‘Big one or small,
‘Which shall I put on you?’
‘All,’ I said, ‘all!’
Flocks of birds fly high and away
A solitary cloud calmly drifts on
We look at each other and never get bored -
Just me and Ching-t’ing mountain.
Dai K lives at the end of a valley. One is not quite sure
Whether it has been drowned or not. His Mam
Loves him too much and his Dada drinks.
As for his girlfriend Blodwen, she’s pregnant. So
Are all the other girls in the village. — there’s been a Revival.
After a performance of Elijah, the mad preacher
Davies the Doom has burnt the chapel down.
One Saturday night after the dance at the Con Club,
With the Free Wales Army up to no good in the back lanes,
A stranger comes to the village, he is, of course,
God, the well-known television personality. He succeeds
In confusing the issue, whatever it is, and departs
On the last train before the line is closed.
The colliery blows up, there is a financial scandal
Involving the most respected citizens, the Choir
Wins at the National. It is all seen, naturally,
Through eyes of a sensitive boy who never grows up.
The men emigrate to America, Cardiff and the moon. The girls
Find rich and foolish English husbands. Only daft Ianto
Is left to recite the Complete Works of Sir Lewis Morris
To puzzled sheep, before throwing himself over
The edge of the abandoned quarry. One is not quite sure
Whether it is fiction or not.
I love the cows best when they are a few feet away
from my dining-room window and my pine floor,
when they reach in to kiss me with their wet
mouths and their white noses.
I love them when they walk over the garbage cans
and across the cellar doors,
over sidewalk and through the metal chairs
and the birdseed.
—Let me reach out through the thin curtains
and feel the warm air of May.
It is the temperature of the whole galaxy,
all the bright clouds and clusters,
beast and heroes,
glittering singers and isolated thinkers
at pasture.
.
I love to go out in late September
among the fat, overripe, icy, black blackberries
to eat blackberries for breakfast,
the stalks very prickly, a penalty
they earn for knowing the black art
of blackberry making: and as I stand among them
lifting the stalks to my mouth, the ripest berries
fall almost unbidden to my tongue,
as words sometimes do, certain peculiar words
like strengths or squinted, or brougham,
many-lettered, one-syllabled lumps,
which I squeeze, squelch open, and splurge well
in the silent, startled, icy, black language
of blackberry eating in late September.
Translated be Willis Barnstone
From: Poetry For The Earth
This planctus (lament) is the best known surviving woman’s lament from the Latin Middle Ages
Wind is thin,
sun warm,
the earth overflows
with good things.
Spring is purple
jewelry;
flowers on the ground
green in the forest.
Quadrupeds shine
and wander. Birds
nest. On blossoming
branches they cry joy!
My eyes see, my ears
hear so much, and
I am thrilled.
Yet I swallow sighs.
Sitting here alone,
I turn pale. When strong
enough to lift my head,
I hear and see nothing.
Spring, hear me.
Despite green woods,
my spirit rots.
.
Waking on the Seventh Day of Creation,
They cautiously sniffed the air:
The most fastidious nostril among them admitted
That fellow was no longer there.
Herbivore, parasite, predator scouted,
Migrants flew fast and far-
Not a trace of his presence: holes in the earth,
Beaches covered with tar,
Ruins and metallic rubbish in plenty
Were all that was left of him
Whose birth on the sixth had made of that day
An unnecessary interim.
Well, that fellow had never really smelled
Like a creature who would survive:
No grace, address of faculty like those
Born on the First Five.
Back, then, at last on a natural economy,
Now His Impudence was gone,
Looking exactly like what it was,
The Seventh Day went on,
Beautiful, happy, perfectly pointless….
A rifles’s ringing crack
Split their Arcadia wide open, cut
Their Sabbath nonsense short.
For whom did they think they had been created?
That fellow was back,
More bloody-minded than they remembered,
More godlike than they thought.
Selected from: A Book Of Luminous Things,
Edited by Czeslaw Milosz
Just sitting around smoking, drinking and telling stories,
the news, making plans, analyzing, approaching the cessation
of personality, the single personality understands it demise.
Experience of the simultaneity of all human beings on this planet,
alive when you are alive. This seemingly inexhaustible
sophistication of awareness becomes relentless and horrible,
trapped. How am I ever going to learn enough to get out.
The beautiful soft and lingering props of the Pacific here.
The back door bangs
So we’ve made a place to live
here in the greened out 70’s
Trying to talk in the Tremulous
morality of the present
Great Breath. I give you, Great Breath!
Selected from: A Book Of Luminous Things,
Edited by Czeslaw Milosz
Angela’s coming for dinner, he said and
he bought the card with flowers and red hearts
flashing in circles.
He set the card under the rose light
on the dining room table,
next to the bills and the junk mail
piled there in the daily hubbub
which we promptly cleared away
because
Angela, Angela’s coming, he said
and it made me laugh to remember
and I thought it’d be swell to have a theme,
like a national holiday for young love, so
we had Angel-hair pasta and Angel food cake,
white and full of air, whipped cream
and strawberries redder than roses and
blood and fairy-tale apples
Angela, Angela. . . she arrived like the
Fourth of July and sat at the
end of the table, staring into
the blue eyes of the boy I’ve known forever.
I am so small walking on the beach
at night under the widening sky.
The wet sand quickens beneath my feet
and the waves thunder against the shore.
I am moving away from the boardwalk
with its colorful streamers of people
and the hotels with their blinking lights.
The wind sighs for hundreds of miles.
I am disappearing so far into the dark
I have vanished from sight.
I am a tiny seashell
that has secretly drifted ashore
and carries the sound of the ocean
surging through its body.
I am so small now no one can see me.
How can I be filled with such a vast love?