Translated by Arthur Waley
All night I could not sleep
because of the moonlight on my bed.
I kept on hearing a voice calling:
Out of Nowhere, Nothing answered “Yes.”
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Translated by Arthur Waley
All night I could not sleep
because of the moonlight on my bed.
I kept on hearing a voice calling:
Out of Nowhere, Nothing answered “Yes.”
For Ben
Their ordeal over, now the only trouble
was conveying somehow to a boy of three
that for a week or two he’d be seeing double.
Surely he wouldn’t recall the surgery
years later, but what about the psychic scars?
And so, when the patch come off, they bought the toy
he’d wanted most. He held it high “Two Cars!”
he cried; and drove himself from joy to joy.
Two baby sisters… One was enough of Clare,
but who could complain—conderring that another
woman had stepped forward to take care
of the girls, which left him all alone with Mother.
Victory! Even when he went to pee,
he was seconded in his virility.
"Wow! I asked the Gemini AI to write a poem about the fall of Icarus
and this is what I got. "
On fragile wings, ambition soared,
Icarus, by Daedalus adored.
Escaped they did, from island's plight,
With feathers stitched and sunlit flight.
The world unfurled, a boundless blue,
But warnings wise, fell from his view.
Intoxicated, by heights unknown,
He chased the sun, upon its throne.
Too close he danced, with fiery might,
The waxen bond, could not withstand the light.
A silent scream, a feathery rain,
Icarus fell, a sun-kissed stain.
The waves embraced, his tragic fate,
A fleeting dream, sealed by his haste.
A lesson writ, in sky and sea,
Of hubris tamed, and mortality.
Translated by Shigeyoshi Obata
Here! is this you on the top of Fan-ko Moutain,
Wearing a huge hat in the noonday sun?
How thin, how wretchedly, you have grown!
You must have been suffering from poetry again.
To John Brodie
Nightfall: the town’s chromatic nocturne wakes
dark brilliance on the river; colours drift
and tremble as enormous shadows lift
Orion to his place. The heart remakes
that peace torn in the blaze of day. Inside
your room are music, warmth and wine, the board
with chessmen set for play. The harpsichord
begins a fugue; delight is multiplied.
A game: the heart’s impossible ideal —
to choose among a host of paths, and know
that if the kingdom crumbles one can yield
and have the choice again. Abstract and real
joined in their trance of thought, the two players show
the calm of gods above a troubled field.
Translated by Arther Waley
Families when a child is born
Hope it will turn out intelligent.
I, through intelligence,
Having wrecked by whole life,
Only hope the baby will prove
Ignorant and stupid.
Then he’ll be happy all his days
And grow into a cabinet minister.
The dog, dead for years, keeps coming back in the dream.
We look at each other there with the old joy.
It was always her gift to bring me into the present—
Which sleeps, changes, awakens, dresses, leaves
Happiness and unhappiness
differ as a bucket hammered from gold differs from one of
pressed tin,
this painting proposes.
Each carries the same water, it says.
Arithmetic is where numbers fly like pigeons
in and out of your head.
Arithmetic tells you how many you lose or win
if you know how many you had
before you lost or won.
Arithmetic is seven eleven all good children
go to heaven — or five six bundle of sticks.
Arithmetic is numbers you squeeze from your head
to your hand to your pencil to your paper
till you get the answer.
Arithmetic is where the answer is right
and everything is nice and you can look
out of the window and see the blue sky — or the
answer is wrong and you have to start all over
and try again and see how it comes out this time.
If you take a number and double it and double it again
and then double it a few more times, the number
gets bigger and bigger and goes higher and higher
and only arithmetic can tell you what the number is
when you decide to quit doubling.
Arithmetic is where you have to multiply —
and you carry the multiplication table in your head and
hope you won't lose it.
If you have two animal crackers, one good and one bad,
and you eat one and a striped zebra
with streaks all over him eats the other,
how many animal crackers will you have if somebody
offers you five six seven and you say No no no and you say
Nay nay nay and you say Nix nix nix?
If you ask your mother for one fried egg for breakfast and
she gives you two fried eggs and you eat both of them,
who is better in arithmetic, you or your mother?
The song begins and the eyes are lifted
but the sickle points toward the ground,
its downward curve forgotten in the song she hears,
while over the dark wood, rising or falling,
the sun lifts on cool air,
the small body of a singing lark.
The song falls, the eyes raise, the mouth opens
and her bare feet on the earth have stopped.
Whoever listens in this silence, as she listens,
will also stand opened, thoughtless, frightened
by the joy she feels, the pathway in the field
branching to a hundred more, no one has explored.
What is called in her rises from the ground
and is found in her body,
what she is given is secret even from her.
This silence is the seed in her
of everything she is
and falling through her body
to the ground from which she comes,
it finds a hidden place to grow
and rises, and flowers, in old wild places,
where the dark-edged sickle cannot go.
Translated by Thomas Merton
Ch’ui the draftsman
Could draw more perfect circles freehand
Than with a compass.
His fingers brought forth
Spontaneous forms from nowhere. His mind
Was meanwhile free and without concern
With what he was doing.
No application was needed
His mind was perfectly simple
and knew no obstacle.
So, when the shoe fits
The foot is forgotten,
When the belt fits
The belly is forgotten,
When the heart is right
“For” and “against” are forgotten.
No drives, no compulsions,
No needs, no attractions:
Then your affairs
Are under control.
You are a free man.
Easy is right. Begin right
And you are easy.
Continue easy and you are right.
The right way to go easy
Is to forget the right way
And forget that the going is easy.
A valley and above it forests in autumn colors.
A voyager arrives, a map led him here.
Or perhaps memory. Once, long ago, in the sun,
When the first snow fell, riding this way
He felt joy, strong, without reason,
Joy of the eyes. Everything was the rhythm
Of shifting trees, of a bird in flight,
Of a train on the viaduct, a feast of motion.
He returns years later, has no demands.
He wants only one, most precious thing:
To see, purely and simply, without name,
Without expectations, fears, or hopes,
At the edge where there is no I or not-I.
What is the opposite of a Prince?
A frog must be the answer, since,
As all good fairy stories tell,
When some witch says a magic spell,
Causing the prince to be disguised
So that he won’t be recognized,
He always ends up green and sad
And sitting on a lily pad.
Translated from the Greek by Barton Raffel
(nothing changes)
We’ll be four, each with his woman.
Eight’s too many for one keg of wine.
Go tell Aristus the keg I bought
Is only half full, a gallon short, maybe two
Or even more. Hurry!
They’re coming at five.
An omnibus across the bridge
Crawls like a yellow butterfly,
And, here and there, a passer-by
Shows like a little restless midge
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
FOUNTAINS AND STATUES AND AMAZED
TOURISTS BETWEEN NOTRE DAME
AND THE ORANGERIE
To have
had the heart of admiration of joy lifted
the way
Apollinaire lifted a poem, the way our gaze lifts
the Eiffel Tower;
the way Paris clearer in sunlight and springtime than
ever before lifts us;
from Pont Neuf you take off, in the Tuileries you see
Marcel Marceau
with a single flower or Monet with a thousand canvases.
Pavlova, how
can you get on your toe that way ? What are you doing
spinning and spinning
and spinning out in the universe and so
close to my heart ?
Translated from the Greek by Burton Raffel
I grew on Tyre.
I was born in Syria,
And I came out of Eucrates,
I, Meleager, who taught my muse
To run on barbed feet.
I’m a Syrian, should anyone be surprised?
But stranger, all of us live in one country: the world.
All of us were born in the same Chaos.
And when I grow old
I wrote this epitaph for myself,
Knowing that old age and death live side by side.
Say something to wish this wordsmith well,
And live to be a wordy old man like me.
Heliodora (about 100 B.C.) - Spring
Translated from the Greek by Burton Raffel
Winter winds have blown out of the sky,
The purple spring flowers happily.
The dark earth drapes herself in green
And plants burst into leaf, their newborn hair waving.
Fields drink the dawn dew and grow,
Laughing as roses open. Shepherds in the hills
Shrill bright melodies on their pipes,
And goatherds count and re-count their white kids.
Sailors are out on the broad sea,
Zephyr puffing out their sails.
Men wear crowns of ivy and cry “Evoe!”
To honor Bacchus, father of wine.
Bees buzz into being, stir and work their hives,
Constructing artful many-celled combs.
And all the races of birds sing everywhere,
Clear and loud: kingfishers near the water,
Swallows around our houses, swans by the river’s edge,
Nightingales deep in the woods.
And if leaves and plants are happy, the the earth sprouts,
And shepherds pipe, and sheep play and dance in the meadows,
And bees make honey,
How can a poet be silent, seeing beautiful spring?
Lana Turner has collapsed!
I was trotting along and suddenly
it started raining and snowing
and you said it was hailing
but hailing hits you on the head
hard so it was really snowing and
raining and I was in such a hurry
to meet you but the traffic
was acting exactly like the sky
and suddenly I see a headline
LANA TURNER HAS COLLAPSED!
there is no snow in Hollywood
there is no rain in California
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
oh Lana Turner we love you get up
Ripeness is
what falls away with ease.
Not only the heavy apple,
the pear,
but also the dried brown strands
of autumn iris from their core.
To let your body
love this world
that gave itself to your care
in all of its ripeness,
with ease,
and will take itself from you
in equal ripeness and ease,
is also harvest.
And however sharply
you are tested—
this sorrow that great love—
it too will leave on that clean knife.
After Derek Mahon
Your great mistake is to act the drama
as if you were alone. As if life
were a progressive and cunning crime
with no witness to the tiny hidden
transgressions. To feel abandoned is to deny
the intimacy of your surroundings. Surely,
even you, at times, have felt the grand array;
the swelling presence, and the chorus, crowding
out your solo voice. You must note
the way the soap dish enables you,
or the window latch grants you freedom.
Alertness is the hidden discipline of familiarity.
The stairs are you mentor of things
to come, the doors have always been there
to frighten you and invite you,
and the tiny speaker in the phone
is your dream-ladder to divinity.
Put down the wight of your aloneness and ease into
the conversation. The kettle is singing
even as it pours you a drink, the cooking pots
have left their arrogant aloofness and
seen the good in you at last. All the birds
and creatures of the world are unutterably
themselves. Everything is waiting for you.