.
We are always looking for the mirror
by which we might see
our true Self
Look closely.
There is no place that mirror is not
Yet the vastness that we are
cannot be captured
in a single image
Through that One, see all beings
We are always listening for the voice
by which we might hear
our true Heart
Listen closely.
There is no place that voice does not resound
Yet the vastness that we are
cannot be captured
in a single sound
In that one tone, listen
as the whole universe sings back to you
The need to be seen, heard
through sacred reflections, and earthly echoes
is the guiding impulse of our basic sanity
Surrender.
While looking and listening,
as we must and as we will
Remember
the One
who looks and listens
Become the inward mirror of your searching eye
the inner echo of your true heartsong
Become the very Beloved you seek
There is nothing you are not
Nothing.
Any publishers interested in this anthology? Poetry selections from Bookgleaner@gmail.com - - Also: http://Outwardboundideas.blogspot.com - http://Onwardboundhumor.blogspot.com - http://Homewardboundphotos.blogspot.com - And http://davidthemaker.blogspot.com/
Tuesday, June 26, 2012
Saturday, June 23, 2012
899. “Any fool can get into an ocean . . .” - Jack Spicer
.
Any fool can get into an ocean
But it takes a Goddess
To get out of one.
What’s true of oceans is true, of course,
Of labyrinths and poems. When you start swimming
Through riptide of rhythms and the metaphor’s seaweed
You need to be a good swimmer or a born Goddess
To get back out of them
Look at the sea otters bobbing wildly
Out in the middle of the poem
They look so eager and peaceful playing out there where the water hardly moves
You might get out through all the waves and rocks
Into the middle of the poem to touch them
But when you’ve tried the blessed water long
Enough to want to start backward
That’s when the fun starts
Unless you’re a poet or an otter or something supernatural
You’ll drown, dear. You’ll drown
Any Greek can get you into a labyrinth
But it takes a hero to get out of one
What’s true of labyrinths is true of course
Of love and memory. When you start remembering.
Any fool can get into an ocean
But it takes a Goddess
To get out of one.
What’s true of oceans is true, of course,
Of labyrinths and poems. When you start swimming
Through riptide of rhythms and the metaphor’s seaweed
You need to be a good swimmer or a born Goddess
To get back out of them
Look at the sea otters bobbing wildly
Out in the middle of the poem
They look so eager and peaceful playing out there where the water hardly moves
You might get out through all the waves and rocks
Into the middle of the poem to touch them
But when you’ve tried the blessed water long
Enough to want to start backward
That’s when the fun starts
Unless you’re a poet or an otter or something supernatural
You’ll drown, dear. You’ll drown
Any Greek can get you into a labyrinth
But it takes a hero to get out of one
What’s true of labyrinths is true of course
Of love and memory. When you start remembering.
Saturday, June 09, 2012
898. Argos - Michael Collier
.
If you think Odysseus too strong and brave to cry,
that the god-loved, god-protected hero
when he returned to Ithaka disguised,
intent to check up on his wife
and candidly apprize the condition of his kingdom,
steeled himself resolutely against surprise
and came into his land cold-hearted, clear-eyed,
ready for revenge--then you read Homer as I did,
too fast, knowing you'd be tested for plot
and major happenings, skimming forward to the massacre,
the shambles engineered with Telemakhos
by turning beggar and taking up the challenge of the bow.
Reading this way you probably missed the tear
Odysseus shed for his decrepit dog, Argos,
who's nothing but a bag of bones asleep atop
a refuse pile outside the palace gates. The dog is not
a god in earthly clothes, but in its own disguise
of death and destitution is more like Ithaka itself.
And if you returned home after twenty years
you might weep for the hunting dog
you long ago abandoned, rising from the garbage
of its bed, its instinct of recognition still intact,
enough will to wag its tail, lift its head, but little more.
Years ago you had the chance to read that page more closely
but instead you raced ahead, like Odysseus, cocksure
with your plan. Now the past is what you study,
where guile and speed give over to grief so you might stop,
and desiring to weep, weep more deeply.
If you think Odysseus too strong and brave to cry,
that the god-loved, god-protected hero
when he returned to Ithaka disguised,
intent to check up on his wife
and candidly apprize the condition of his kingdom,
steeled himself resolutely against surprise
and came into his land cold-hearted, clear-eyed,
ready for revenge--then you read Homer as I did,
too fast, knowing you'd be tested for plot
and major happenings, skimming forward to the massacre,
the shambles engineered with Telemakhos
by turning beggar and taking up the challenge of the bow.
Reading this way you probably missed the tear
Odysseus shed for his decrepit dog, Argos,
who's nothing but a bag of bones asleep atop
a refuse pile outside the palace gates. The dog is not
a god in earthly clothes, but in its own disguise
of death and destitution is more like Ithaka itself.
And if you returned home after twenty years
you might weep for the hunting dog
you long ago abandoned, rising from the garbage
of its bed, its instinct of recognition still intact,
enough will to wag its tail, lift its head, but little more.
Years ago you had the chance to read that page more closely
but instead you raced ahead, like Odysseus, cocksure
with your plan. Now the past is what you study,
where guile and speed give over to grief so you might stop,
and desiring to weep, weep more deeply.
Wednesday, June 06, 2012
897. Secure - May Swenson
.
Let us deceive ourselves a little
while Let us pretend that air
is earth and falling lie resting
within each other's gaze Let us
deny that flame consumes that
fruit ripens that the wave must
break Let us forget the circle's
fixed beginning marks to the
instant its ordained end Let us
lean upon the moment and expect
time to enfold us space sustain
our weight Let us be still and
falling lie face to face and drink
each others breath Be still
Let us be still We lie secure
within the careful mind of death
Let us deceive ourselves a little
while Let us pretend that air
is earth and falling lie resting
within each other's gaze Let us
deny that flame consumes that
fruit ripens that the wave must
break Let us forget the circle's
fixed beginning marks to the
instant its ordained end Let us
lean upon the moment and expect
time to enfold us space sustain
our weight Let us be still and
falling lie face to face and drink
each others breath Be still
Let us be still We lie secure
within the careful mind of death