Translated by ?
THE PASSERBY MUST DECIDE
IF I AM TOMB OR TREASURE HOUSE
ELOQUENT OR MUTE
THE CHOICE IS YOURS MY FRIEND
DO NOT ENTER WITHOUT DESIRE
EVERY MAN CREATES UNWITTINGLY
AS HE BREATHES
BUT THE ARTIST FEELS HIMSELF CREATE
THE DOING ABSORBS HIS WHOLE BEING
HIS CHOSEN SUFFERING GIVES HIM STRENGTH
WITHIN THESE CONSECRATED WALLS
I WELCOME AND PROTECT THE WORK
OF THE ARTIST'S MIRACULOUS HAND
EQUAL AND RIVAL OF HIS THOUGHT
THE ONE IS NOTHING WITHOUT THE OTHER
RARE THINGS BEAUTIFUL THINGS
HERE SKILLFULLY DISPLAYED
TEACH THE EYE TO BEHOLD
AS IF NEVER SEEN TILL NOW
THE VERY THINGS OF THIS WORLD
Any publishers interested in this anthology? Poetry selections from Bookgleaner@gmail.com - - Also: http://Outwardboundideas.blogspot.com - http://Onwardboundhumor.blogspot.com - http://Homewardboundphotos.blogspot.com - And http://davidthemaker.blogspot.com/
Sunday, December 30, 2012
Saturday, December 15, 2012
919. Along the Way - Lenore Horowitz
From: (http://www.womencandoit.com/)
Along the way,
a moment shimmers into being,
frames itself
to image where you are.
You see it in an instant,
set aperture and shutter to best expose
the secret unfolding in your lens
in clearest hues of light and shadow.
Some images are signposts,
a mark of where you’ve been,
and others, guides
to where you’ve yet to go.
Destination never was the point,
for any line is many points,
each an opportunity
to stop
and turn
and look at what you find,
and what finds you,
along the way.
It only matters how
—not when or where,
or even what—
you see.
With each exposure
grows an attitude of seeing
not the surface,
but the light which opens,
pulsing from the center.
These images together
make a luminous arrangement,
a constellation to brighten midnight skies
for those you’ve met,
and known,
and loved
along your way.
Along the way,
a moment shimmers into being,
frames itself
to image where you are.
You see it in an instant,
set aperture and shutter to best expose
the secret unfolding in your lens
in clearest hues of light and shadow.
Some images are signposts,
a mark of where you’ve been,
and others, guides
to where you’ve yet to go.
Destination never was the point,
for any line is many points,
each an opportunity
to stop
and turn
and look at what you find,
and what finds you,
along the way.
It only matters how
—not when or where,
or even what—
you see.
With each exposure
grows an attitude of seeing
not the surface,
but the light which opens,
pulsing from the center.
These images together
make a luminous arrangement,
a constellation to brighten midnight skies
for those you’ve met,
and known,
and loved
along your way.
Sunday, December 09, 2012
918. Miracle Fair - Wislawa Szymborska
Translated from the Polish by Joanna Trzeciak (1)
Commonplace miracle:
that so many commonplace miracles happen.
An ordinary miracle:
in the dead of night
the barking of invisible dogs.
One miracle out of many:
a small, airy cloud
yet it can block a large and heavy moon.
Several miracles in one:
an alder tree reflected in the water,
and that it's backwards left to right
and that it grows there, crown down
and never reaches the bottom,
even though the water is shallow.
An everyday miracle:
winds weak to moderate
turning gusty in storms.
First among equal miracles:
cows are cows.
Second to none:
just this orchard
from just that seed.
A miracle without a cape and top hat:
scattering white doves.
A miracle, for what else could you call it:
today the sun rose at three-fourteen
and will set at eight-o-one.
A miracle, less surprising than it should be:
even though the hand has fewer than six fingers,
it still has more than four.
A miracle, just take a look around:
the world is everywhere.
An additional miracle, as everything is additional:
the unthinkable
is thinkable.
Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh (2)
The commonplace miracle:
that so many common miracles take place.
The usual miracle:
invisible dogs barking
in the dead of night
One of many miracles:
a small and airy cloud
is able to upstage the massive moon.
Several miracles in one:
an alder is reflected in the water
and is reversed from left to right
and grows from crown to root
and never hits the bottom
though the water isn't deep.
A run-of-the-mill miracle:
winds mild to moderate
turning gusty in storms.
A miracle in the first place:
cows will be cows.
Next but not least:
just this cherry orchard
from just this cherry pit.
A miracle minus top hat and tails:
fluttering white doves.
A miracle (what else can you call it):
the sun rose today at three fourteen A.M.
and will set tonight at one past eight.
A miracle that's lost on us:
the hand actually has fewer than six fingers
but still it's got more than four.
A miracle, just take a look around:
the inescapable earth.
An extra miracle, extra and ordinary:
the unthinkable
can be thought.
Commonplace miracle:
that so many commonplace miracles happen.
An ordinary miracle:
in the dead of night
the barking of invisible dogs.
One miracle out of many:
a small, airy cloud
yet it can block a large and heavy moon.
Several miracles in one:
an alder tree reflected in the water,
and that it's backwards left to right
and that it grows there, crown down
and never reaches the bottom,
even though the water is shallow.
An everyday miracle:
winds weak to moderate
turning gusty in storms.
First among equal miracles:
cows are cows.
Second to none:
just this orchard
from just that seed.
A miracle without a cape and top hat:
scattering white doves.
A miracle, for what else could you call it:
today the sun rose at three-fourteen
and will set at eight-o-one.
A miracle, less surprising than it should be:
even though the hand has fewer than six fingers,
it still has more than four.
A miracle, just take a look around:
the world is everywhere.
An additional miracle, as everything is additional:
the unthinkable
is thinkable.
Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh (2)
The commonplace miracle:
that so many common miracles take place.
The usual miracle:
invisible dogs barking
in the dead of night
One of many miracles:
a small and airy cloud
is able to upstage the massive moon.
Several miracles in one:
an alder is reflected in the water
and is reversed from left to right
and grows from crown to root
and never hits the bottom
though the water isn't deep.
A run-of-the-mill miracle:
winds mild to moderate
turning gusty in storms.
A miracle in the first place:
cows will be cows.
Next but not least:
just this cherry orchard
from just this cherry pit.
A miracle minus top hat and tails:
fluttering white doves.
A miracle (what else can you call it):
the sun rose today at three fourteen A.M.
and will set tonight at one past eight.
A miracle that's lost on us:
the hand actually has fewer than six fingers
but still it's got more than four.
A miracle, just take a look around:
the inescapable earth.
An extra miracle, extra and ordinary:
the unthinkable
can be thought.
Sunday, December 02, 2012
917. A Dream of Trees - Mary Oliver
.
There is a thing in me that dreamed of trees,
A quiet house, some green and modest acres
A little way from every troubling town,
A little way from factories, schools, laments.
I would have time, I thought, and time to spare,
With only streams and birds for company,
To build out of my life a few wild stanzas.
And then it came to me, that so was death,
A little way away from everywhere.
There is a thing in me still dreams of trees,
But let it go. Homesick for moderation,
Half the world’s artists shrink or fall away.
If any find solution, let him tell it.
Meanwhile I bend my heart toward lamentation
Where, as the times implore our true involvement,
The blades of every crisis point the way.
I would it were not so, but it is.
Who ever made music of a mild day?
There is a thing in me that dreamed of trees,
A quiet house, some green and modest acres
A little way from every troubling town,
A little way from factories, schools, laments.
I would have time, I thought, and time to spare,
With only streams and birds for company,
To build out of my life a few wild stanzas.
And then it came to me, that so was death,
A little way away from everywhere.
There is a thing in me still dreams of trees,
But let it go. Homesick for moderation,
Half the world’s artists shrink or fall away.
If any find solution, let him tell it.
Meanwhile I bend my heart toward lamentation
Where, as the times implore our true involvement,
The blades of every crisis point the way.
I would it were not so, but it is.
Who ever made music of a mild day?