In the dusty triangular attic
a box of old school books.
Inside, a worn volume of poems,
a page turned down at the corner-
my father and I, meeting again,
depending on The Red Wheelbarrow.
Any publishers interested in this anthology? Poetry selections from Bookgleaner@gmail.com - - Also: http://Outwardboundideas.blogspot.com - http://Onwardboundhumor.blogspot.com - http://Homewardboundphotos.blogspot.com - And http://davidthemaker.blogspot.com/
In the dusty triangular attic
a box of old school books.
Inside, a worn volume of poems,
a page turned down at the corner-
my father and I, meeting again,
depending on The Red Wheelbarrow.
after Dean Young
Dean in a story about Coltrane:
how one time in a recording, he hit
a wrong note—a real clam.
In the second take, he hit it again,
this time harder, longer.
The third time, it became the heart—
the sound all the other notes wrap themselves around,
a different understanding of the melody—
the song beneath the song: the stubborn beat
holding up the heaviness of flesh.
Within the circles of our lives
we dance the circles of the years,
the circles of the seasons
within the circles of the years,
and the cycles of the moon
within the circles of the seasons,
the circles of our reasons
within the cycles of the moon.
Again, again we come and go,
changed, changing. Hands
join, unjoin in love and fear,
grief and joy. The circles turn,
each giving into each, into all.
Only music keeps us here,
each by all the others held.
In the hold of hands and eyes
we turn in pairs, that joining
joining each to all again.
and then we turn aside, alone,
out of the sunlight gone
into the darker circles of return.
I would ask my family
Wait for a foggy afternoon, late May,
after a rainy winter so that all
the wildflowers are blooming on the headland.
Wait for honey of lupins. It will rise
around you, encircle you, from vast golden bushes
as you take the crooked trail
down from the parking lot. Descend
earth’s crest, sweet winding declivity
where California poppies lift up their
chalices, citrine and butterscotch,
and phlox blows in the wisps of fog, every
color of white and like the memory
of pain, and like first dawn, and lavender.
Where goldfinches, nubblins of sunlight,
flit through the canyon. Walk one by one
or in small clusters, carrying babies,
children holding your hands—with your eyes
your oval skulls, your prodigious memories
or skills with the fingers. Your skirts or shirts
will flirt with the wind, and small brown rabbits
will run in and out, you’ll see their ears first.
nested in the grasses, then the bob
of fleeting hindquarters.
Now come to the sand,
the mussel shells, broken or open, iridescent,
color of crows; wings in flight
or purple martins, and the bullwhips
of sea kelp, some like frizzy-headed voodoo
poppets, some like long hollow brown or bleached
phalluses. The X X birdprints running
across the scalloped sand will leave a trail of stars,
look at the black oystercatcher, the scamp
with the long red beak, it’s whipping along
in the courtship dance. Look at the fog,
above you now on the headland, and know how much
I love the fog.
Don’t cry, my best beloveds,
It’s time to scatter me back now. I’ve wanted this
all my life. Look at the cormorants,
the gulls, the elegant scythed whimbrel,
do you hear its quiquiquiqui
rising above the eternal Ujjayi breath,
the roar and silence and seethe and whisper,
the immeasurable insweep and release of ocean.
(Ujjayi breathing, or "victorious breath," is a yoga technique involving a
gentle constriction at the back of the throat (glottis) to create a soft,
ocean-like, or Darth Vader-esque sound as you inhale and exhale
through the nose, fostering focus, calmness, and deep diaphragmatic
breathing during yoga or meditation. )
July,
and the rich apples
once again falling.
You put them to your lips,
as you were meant to,
enter a sweetness
the earth wants to give.
Everything loves this way,
in gold honey,
in gold mountain grass
that carries lightly the shadow of hawks,
the shadow of clouds passing by.
And the dry grasses,
the live oaks and bays,
taste the apples’ deep sweetness
because you taste it as you were meant to,
tasting the life that is yours,
while below, the foghorns bend to their work,
bringing home what is coming home,
blessing what goes.
Translated from the Hebrew by Chana Blochr
Here the soft hills touch the ocean
like one eternity touching another
and the cows grazing on them
ignore us, like angels.
Even the scent of ripe melon in the cellar
is a prophecy of peace.
The darkness does not war against the light,
it carries forward
to another light, and the only pain
is the pain of not staying.
In my land, called holy,
they wont’t let eternity be:
they’ve divided it into little religions
zoned it for god-zones,
broken it into fragments of history,
sharp and wounding until death.
and they’ve turned in tranquil distances
into a closeness convulsing with the pain of the present.
On the beach at Bolinas, at the foot of the wooden steps,
I saw some girls lying in the sand bare-bottomed.
their heads bowed, drunk
on the kingdom everlasting,
their souls like doors
closing and opening inside them
to the rhythm of the surf.
A man and a woman sit near each other, and they do not long
at this moment to be older, or younger, nor born
in any other nation, or time, or place.
They are content to be where they are, talking or not talking.
Their breaths together feed someone whom we do not know.
The man sees the way his fingers move,
he sees her hands close around a book she hands to him.
They obey a third body that they share in common.
They make a promise to love that body.
Age may come, parting may come, death will come.
A man and a woman sit near each other;
as they breathe they feed someone we do not know,
someone we know of, whom we have never seen.
And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of the setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man,
A motion and a spirit, that impels
All thinking things, all objects of all thought,
and rolls through all things.
The Tientai Mountains are my home
mist-shrouded cloud paths keep guests away
thousand-meter cliffs make hiding easy
above a rocky ledge among ten thousand streams
with bark hat and wooden clogs I walk along the banks
with hemp robe and pigweed staff I circumambulate the peaks
once you see through transience and illusion
the joys of roaming free are wonderful indeed
Wisdom is having things right in your life
and knowing why.
If you do not have things right in your life
you will be overwhelmed:
you may be heroic, but you will not be wise.
If you have things right in your life
but do not know why,
you are just lucky, and you will not move
in the little ways that encourage good fortune.
The saddest are those not right in their lives
who are acting to make things right for others:
They act only from the self—
and that self will never be right:
no luck, no help, no wisdom.