Strangest is their reality,
their three-dimensional workmanship:
veined pebbles that have an underside,
maps one could have studied minutes longer,
books we seem to read page after page.
If these are symbols cheaply coined
to buy the mind a momentary pardon,
whence this extravagance? Fine
as dandelion polls, they surface and explode
in the wind of the speed of our dreaming,
so that we awake with the sense
of having missed everything—tourists
hustled by bus through a land whose history
is our rich history, whose artifacts
were filed to perfection by beggars we fear.