977. The Voice - Thomas Hardy

.

Woman much missed, how you call to me, call to me,

Saying that now you are not as you were

When you had changed from the one who all all to me,

But as at first, when our day was fair.

Can it be you that I hear? Let me view you, then,

Standing as when I drew near to the town

Where you would wait for me: yes, as I knew you then,

Even to the original air-blue gown!

Or is it only the breeze in its listlessness

Traveling across the wet mead to me here,

You being ever dissolved to wan wistlessiness,

Heard no more again far or near?

Thus I; faltering forward,

Leaves around me falling,

Wind oozing thin through the thorn from norward,

And the woman calling.

From Seamus Heaney

“I can’t honestly say that I break down when I read “The Voice,” but

when I get to the last four lines the dear ducts do congest a bit. The

poem is one of several Thomas Hardy wrote immediately after the

death of his first wife in late November 1912, hence his poignancy

of dating it “December 1912.” Hardy once described this group

of memorial poems as “an expiation,” acknowledging his grief and

remorse at the way he had neglected and hurt the one “who was all to

me…..at first, when our day was fair.” What renders the music of the

poem so moving is the drag in the voice, as if there were sinkers on

many of the lines. But in the final stanza, in that landscape of falling

leaves, wind and thorn, and the woman calling, there is a banshee note

that haunts “long after it is heard no more.”

976. That Day - Denise Levertov

.

Across s lake in Switzerland, fifty years ago,

light was jousting with long lances, fencing with 

   broadswords

back and forth among cloudy peaks and foothills.

We watched from a small pavilion, my mother and I, 

enthralled.

And then, behold, a shaft, a column,

a defined body, not of light but of silver rain,

formed and set out from the distant shore, leaving behind

the silent feints and thrusts, and advanced

unswervingly, at a steady pace,

toward us.

I knew this! I’d seen it! Not the sensation

of déjà vu: it was Blakes’s inkwash vision,

“The Spirit of God Moving Upon the Face of the Waters’!

The column steadily came on

across the lake toward us; on each side of it,

there was no rain. We rose to our feet, breathless—

and then it reached us, took us

into its veil of silver, wrapped us

in finest weave of wet, 

and we laughed for joy, astonished.