.
The song of the oceans
of the world becoming is always
among us. It rises over and over
from the oceans of the grasslands,
rippling like the shifting waves of orange
autumn sorrell, green May barley.
It ascends in immediacy
from the oceans of the forest floor,
spreads through a flotsam of mosses,
ferns, vine maple, pine accretions;
thus it is permeated by branches,
staubs, leaves, thorny seeds, shingled
bark, which become, in truth,
the momentary architecture
of its carriage and meter.
Smelling slightly of salt, wet weed,
and sea sand, down comes this song
again and again like a tidal blue
surf of the skies, down from the floating
black depth of the stars. It swirls
like channeled winds flooding rock
caverns, like lolling swells of winter
in a whiteout. It engulfs with daylight,
spilling around and throughout
a solar deluge of summer.
The song of the world becoming
in its expanse and bottomless height
can nonetheless gather wholly
into one molecule on the tip of one
tentacle of an anemone attached
to the rim of a low-tide rock,
and briefly balance there. It is complete
and prophetic in a gesture of light
off the neon needle of a damselfly
vanishing and reappearing above
warm mud and water rushes
The song of the oceans of migrating
caribou, flocking bats, goldfinches,
of swarming honey bees, swarming
suns and stellar dusts, travels
beautifully with all the masses
of its expanding cosmic horizons.
Present in circular motions to the outer
edges of the known universe evolving,
it is ancient, it is partial.
So the song is becoming as the world
becomes, and it can never leave us;
for we are the notice in its passages,
and we are the divining in its composition,
and we practice in death the immortality
of its nature forever.
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