.
It could fill and take the shape
of the multiple spaces in the pauses
and sliding shrills of a coyote's
long yodel, or it might match
in measure the pieces of the jagged
sky crossed once and split twice
by the screeching tin bells
of two green hummingbirds fighting
in flight. Perhaps, standing alone
in a field of winter grasses,
my back to the gorged and robust
moon, it assumes the configuration
of all the vacancies not silver-
white with light.
Maybe its structure is like the quick
erratic descent and collapse
of the licks of black that allow
the leaping of flames at night,
or maybe it is the shape fitting
exactly the circle sizes created
inside the atom by its theory.
Its form might be the one difference
between the plump red-gold pulp
of a nectarine and the hard wrinkle
of the pit of its living heart,
or it might possess the form
of the similarity held in common
by a gray-speckled longhorn grazing
in rain and a splintered crack
spreading in the glass of an Arctic
iceberg and the final lingering
chord of a requiem mass.
If it could just be put in the mouth,
then one might know it by the tongue,
feeling all the edges and folds,
the dimensions and horizons
of the shuddering bittersweet shape
of its word. Or, how about this:
it is like love in total darkness,
its form moment by moment becoming itself
and tangible through the gentleness
and finesse upon which the blind
will always depend.
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