.
This was a wonderful night. I heard the Brahms
piano quintet, I read a poem by Schiller,
I read a story, I listened to Gloomy Sunday.
No one called me, I studied the birthday poem
of Alvaro de Campos. I thought, if there was time,
I'd think of my garden––all that lettuce, wasted,
all those huge tomatoes lying on the ground
rotting, and I'd think of the sticks I put there,
waving good-bye, those bearded sticks. De Campos,
he was the one who suffered most, his birthday
was like a knife to him; he sat in a chair
remembering his aunts; he thought of the flowers
and cakes, he thought of the sideboard crowded with gifts.
I look at the photo of Billie Holiday;
I turn the lightbulb on and off. I envy
those poets who loved their childhood, those who remember
the extra places laid out, the china and glasses.
They want to devour the past, they revel in pity,
they live like burnt-out matches, memory ruins them;
again and again they go back to the first place.
De Campos and I are sitting on a bench
in some American city. He hardly knows
how much I love his country. I have two things
to tell him about my childhood, one is the ice
on top of the milk, one is the sign in the window––
three things–– the smell of coal. There is some snow
left on the street, the wind is blowing. He trembles
and touches the buttons on his vest. His house
is gone, his aunts are dead, the tears run down
our cheeks and chin, we are like babies crying.
"Leave thinking to the head,"
he says. I sob
"I don't have birthdays any more" I say,
"I just go on," although I hardly feel
the sadness, there is such joy in being there
on that small bench, watching the sycamores,
looking for birds in the snow, listening for boots,
staring at the begonias, getting up
and down to rub the leaves and touch the buds––
endless pleasure, talking about New York,
comparing pain, writing the names down
of all the cities south of Lisbon, singing
one or two songs––a hundred years for him,
a little less for me, going east and west
in the new country, my heart forever pounding.
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