Thursday, April 24, 2025

1178. The Dance - William Carlos Williams, 1944

 

In Breughel’s great picture, The Kermess,

the dancers go round  they go round and

around, the squeal and the blare and the

tweedle of bagpipes, a bugle and fiddles

tipping their bellies (round as the thick-

sided glasses whose wash they impound)

their hips and their bellies off balance

to turn them. Kicking and rolling about

the Fair Grounds, swinging their butts, those

shanks must be sound to bear up under such

rollicking and measures, prance as they dance

in Breughel’s great picture, the Kermess.



1177. Seance - Wislawa Szymborska

 Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh


Happenstance reveals its tricks.

It produces, by sleight of hand, a glass of brandy

and sits Henry down beside it.

I enter the bistro and stop dead in my tracks.

Henry—he’s none other than

Agnes’s husband’s brother,

and Agnes is related

to Aunt Sophie’s brother-in-law.

It turns out

we’ve got the same great-grandfather.


In happenstance’s hands

space furls and unfurls,

spreads and shrinks.

The tablecloth

becomes a handkerchief.

Just guess who I ran into

in Canada, of all places,

after all these years.

I thought he was dead,

and there he was, in a Mercedes.

On the plane to Athens,

At a stadium in Tokyo.  


Happenstance twirls a kaleidoscope in its hands.

A billion bits of colored glass glitter.

And suddenly Jack’s glass

bumps into Jill’s.

Just imagine in the very same hotel.

I turn around and see—

it’s really her!

Face to face in an elevator.

In a toy store.

At the corner of Maple and Pine.


Happenstance is shrouded in a cloak.

Things get lost in it and are found again.

I stumbled on it accidentally

I bent down and picked it up.

Once look and I knew it,

a spoon from that stolen service.

If it hadn’t been for that bracelet,

I would never have known Alexandra.

The clock? It turned up in Potterville.


Happenstance looks deep into our eyes.

Our head grows heavy.

Our eyelids drop.

We want to laugh and cry,

it’s so incredible.

From fourth-grade home room to that ocean liner.

It has to mean something.

To hell and back,

and here we meet halfway home.

We want to shout:

Small world!

You could almost hug it!

And for a moment we are filled with joy,

radiant and deceptive.